Sunday, March 16, 2014

Is that Smurf pastel blue, cornflower blue, or navy blue?


Because if it's Navy Blue, it's not any good!

http://thisfeliciaday.tumblr.com/post/79718617942/tiger-lily-doesnt-equal-human-torch-plus-a-very-long

My copper pieces on the subject.
We're all one race, the human race. Sadly, the human race historically been good at picking on members of its own race for stupid reasons. Whether that reason is a dumb blonde, a soulless redhead, an albino freak, a barbaric Celt, Mongrel, or Rus; whether you have freckles, wear glasses, are tall, short, or skinny, or, more recently, how concentrated your melanin is, has changed throughout history.
It's not an issue of skin shade. It is an issue of cultural background. In America, historically, it's generally assumed that African Americans weren't educated. While examples of educated people of color exist, in the Slave States there was rarely incentive to provide a field hand with book smarts, so young black men weren't formally educated. This lead to people making a rule of thumb that dark skin equals uneducated. After emancipation, and as it  became  acceptable for the children of slaves to be learned, the uneducated stereotype held on, leading to present day negative stereotypes of African Americans. The stereotype is wrong, but it is not without a historical foundation that has been engrained in our culture.
That said, in any job, be it acting or scrubbing toilets, neither your body's concentration of melanin, or your cultural background should be a factor. The only thing that should matter is the individual's  ability to do the job he or she is hired for. In the case of acting, being a certain skin tone is not a factor for playing a darker skinned person's part. The Stage has used face black makeup in the past. Being blonde isn't a factor. Hair dye and wigs are easy to use. Having a certain accent isn't a factor to a good actor, that's what speech/dialect coaching is for. Even being a specific gender shouldn't matter, actors in Shakespeare's day dressed cross gender when the role called for it. Is it easier to play a black person's part in a play if you're black? Yes. Is a woman better able to play a woman? Yes, but in the end, an actor's talent should be the only deciding factor. I've known white men who can act the part of a boisterous black lady as well as any African American woman I've seen.
Does this mean I think they are not discriminating in this case? I don't know. I don't have the script, for all I know the new twist has a Biff World twist where whites are (culturally) the Native Americans and Peter Pan is an Asian visiting a tribal African female shaman/story teller named Wendy. Additionally, I didn't see every audition for the part. Even if you gave me a list of people that auditioned, I still don't have the script and I still didn't see the people audition.
Is it possible this is a case of bias? Maybe. Is it probable? I don't know, do the producers, directors, etc have a history of being "racially biased? ” Is there evidence that they chose this actor because of her skin tone? If not, you only have speculation.
Stop  giving Hollywood a "minimum ethnic actor count" standard and let the best human being win the part.
That's my first copper piece, my second ties into it. We're told here that in days gone by, stories were just about white people. While most of the people in European folk stories are lighter skinned, that doesn't make them prejudice against people with other skin tones. It  simply means the story wasn't focused on people that had differing skin tones. Look at Beowulf. He's described as a Geat. That's a cultural/racial label if ever there was one. Caesar's writings portrayed the Celts in a barbaric light, that's also a "racial" discrimination. Macbeth describes the title role as a Moor, which some scholars think may mean he was Arabic, African, or Hispanic.
The point is, European literature is full of "racism," just not the exact prejudices we see today. To tell present or past authors, directors, or story tellers that you have to have a specific mix of your own prejudices represented so you feel good is arrogant. You aren't the writer's muse. Go write the story yourself if you want, but don't slander him or her because he or she didn't suit your tastes.
I think the story concepts presented in the ending of the blog I'm linking to sound fun. They could very well make for a good story. But just because I didn't get the story I wanted is no reason to toss the race card into the mix. Enjoy the story for what it is, or leave it alone. If you don't enjoy it, fine, but don't mud sling because your preferences aren't catered to.

Thursday, November 28, 2013

Thanksgiving's Pagan and Catholic Origins

"It would be misleading not to point out that virtually all cultures around the world who’s societies were built around agriculture had (and many still do have) their own harvest feasts wherein thanks is given to whichever gods are honored in that culture."
Be sure and check out the pdf at the end of the teaser article for the full load on thanksgiving's history, including its catholic origins as well, something the Puritans and Pilgrims would have been aware of in the context of history.
So, again, it's like I've been saying for years; Thanksgiving is no less pagan than Christmas, Halloween, or Easter. If you celebrate any of those holidays "for God," you can stop bad-mouthing the others. Either you accept the Psalmist' s decree that, "the earth is the Lord's and the fullness thereof," and that nothing is "pagan" in origin because as Creator He has first ownership, or you passively reject it through your deeds.

Thursday, August 15, 2013

The End Of An Era

Almost half a decade ago, I picked up a Dungeon Master's Guide. At first, it was "just this once," for a friend who's busy life wouldn't let him attend my Dungeons and Dragons group's regular sessions. I had a simple quest planned out, gathered a couple extra players, and drove out to my friend's house in Easley for my first ever D&D session as the Dungeon Master.
I had a blast, and story ideas blossomed.  Little did I realize that the tiny story seed I'd just planted that night would blossom into a five year long campaign that not only traversed the entire continent, but would break into epic levels.
At the time, I didn't think being a DM would become a passion. It was just something I was doing for Ryan Wagner because I wanted to help a friend try out D&D. But the story wouldn't end.
Many people would come and go as PC's and one-shot cameo NPC's over the next few years, too many for me to name them all, but it all started on the road to Elversult.
Now, it's time to tie up the loose ends and take a bow; at least for this Dungeon Master. That's some bitter-sweet Kool-Aid, but no worries, I'm not killing everyone. (Or at least, I don't plan on it....)
We've come a long way from a party of rag-tag level one's. We've robbed a Thayan Enclave,and lived to tell about it; vanquished vampires in ways that would make a Paladin cheer; violated dragons while cackling maniacally at our own good fortune with the dice while the DM smiles and nods at the level of chaotic creativity; we've learned about the real business end of a Tarrasque; and we have fought alongside angels, and stormed the gates of hell. We've gained power, wealth, infamy, titles, and changed the course of history for all of Toril forever.
I look forward to these last few sessions, and I hope you will as well.

It's been epic.